I like to
go to a
lot of
shows.
Be they
under-
ground
or not,
whatever you
wanna call it,
it's all rock'n'roll to me.
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10/21/13
melt-banana bring their Playstation Grindcore to SLC
Late Sunday evening on October 20, 2013, melt-banana stepped up on stage and blitzkrieged Salt Lake City's URBAN LOUNGE with a fury reminiscent of a couple of Pokemon's on methamphetamines. I couldn't possibly tell you which song they started off with, nor the titles of any of the songs they tore through last night. Suffice it to say I believe they've engendered a new genre, "Playstation Grindcore", and all the hipster bearded kids with earplugs and horn rimmed glasses seemed to like 'em well enough.
This is Onuki. Her vocals may be described as a spastic cartoon creature on helium plugged into an electric socket. She held this weird palm pilot gizmo with multicolored lights and a blue glowing ring on it in her right hand, sweeping it around and holding it at odd angles, until I realized it must have a movie camera function. I think it's a weird Japanese iPod mutation which she records their live performances with, because she kept aiming it towards her bandmate, Agata.
It occurred to me that Agata may actually wear his surgical mask not for any aesthetic reasons, but in order to prevent him from contracting any viruses from having been exposed to large international crowds every night while they're on tour. Whatever the reason for the mask, it looks sick as all get out and has become a trademark image for this post punk psycho Nintendo grindcore band.
The main complaint was the loss of their original bassist, Hamamoto. It's really too bad they've been stripped down to a two-piece. However, the two remaining members of this freakish outfit truly delivered the brain melting blastbeats and psychokinetic guitar attacks courtesy of Agata. I heartily recommend melt-banana if one is in need of staying awake late at night or has perhaps run out of coffee or crystal meth. On the other hand, if one values their hearing and wishes to keep the tympanic membrane of their inner ear from being eviscerated, one might choose to either wisely bring earplugs, stand far away from the speakers, or simply bow out from attending their shows.
As for the rest of us whose Cochlear nerves have withstood torrents of inhumanly loud grindcore and other variations of extreme metal without seeming to have suffered much from it, I urgently beseech thee to get thyselves to the next melt-banana show and let the exterior layers of your psyche be blasted away into another dimension. I'm glad I went despite the fact it was a Sunday night and I had to be at work early this morning. It was considerably better than going to Church.
8/4/13
Peter Murphy Rocks SLC Urban Lounge w/the Mr. Moonlight Tour
photo by Stephanie Pick
That's the only pic I bothered to take at the recent PETER MURPHY show a couple weeks ago here in Salt Lake City, July 17, at our small local dive bar THE URBAN LOUNGE.
Before Peter Murphy took the stage, I want to mention that the excellent band OURS currently out of LA opened for him. I was lucky enough to catch them live the last time Peter Murphy toured through Salt Lake City, and once again they delivered a pounding, mesmerizing new wave industrial alternative set with their lead singer Jimmy Gnecco fronting with a dark charisma that I personally have found missing from today's scene. OURS is a refreshing alternative band for the Twenty-Teens. Now that I've seen them perform twice, I'm bummed that I missed them headline here last year (I think it was). If OURS ever tours through here again, I will be sure to attend that show and support them. I intend to get their albums, most likely starting backward with their Rick Rubin produced 2008 album Dancing For The Death Of An Imaginary Enemy.
Finally, Peter Murphy and his band padded out onto the stage. They delivered the BAUHAUS hits alright. 90% of the setlist was comprised of old Bauhaus tunes (as promised). Come to think of it, I don't recall having heard a single song off their excellent swan song GO AWAY WHITE, which is either too bad or else I somehow missed it during all the excitement. Peter Murphy's band is a pretty tight-knit group of goths. His guitarist resembled Trent Reznor. Drummer looked like a cross between Josh Brolin and Dax Riggs. Bass player looked eerily like my friend and Freezine veteran Vincent Daemon. That set the stage visually for the perfect 80s Goth night out. Swear to god the place was packed to the gills with dead fish. Yes it was Sold Out. . . to zombies.
I really wanted to push through the packed crowd in front of the stage—but everyone is standing room only with drinks in their hands—and I'm not about to be "that guy" who spills someone's drink, I'm there to have a good time and not be an A-hole. So we wait it out for awhile but the entire time no one up front is dancing or anything. Eventually I say "fukkit" and just, you know, squeeeeeze thru the dumbfounded dipshits until I get practically to the front center (being led the way by my beautiful friend whose good female looks grant her more of a pass than my sorry good for nothing ass I'll say that much). So I follow her as best I can, until I'm almost up there and some yahoo behind me shoves me forward (of course, which I like actually...that gets me to grinning) up into the front row peeps, whereupon this rankled chick comes at me with a cold look and a "don't be an asshole, man" and I just look at her and smile saying "I got shoved up here, sorry" and she dares to repeat her dumb line, "don't be an asshole" again, so I just ignore her.
My friend is right there beside me, and she obviously wants to dance, as I do. So we start doing our best, only this lost generation of "twenty-teens" or whatever the Hell you wanna call it doesn't really know what to do—are we trying to mosh—?—[NO]. It's called dancing, Google it. So of course they respond as if we're trying to start a moshpit and I'll tell you what. I have no problem with the notion of starting up a pit here, but honestly that is not why I came to see Peter Murphy. Also I am not that guy. Wrong show. So of course I allow myself to be shoved to and fro with a big smile on my face all the while, really enjoying the extra attention by peeved morons in the crowd. Soon they give up, and then I really start dancing in place—not shoving anyone—just doing the Twist with the manic intensity of Tom Jones, so my friend joins in and we're just having a blast. There's maybe three other people near us also dancing and that's it. The rest just stand there, annoyed. We are overjoyed. I begin to frenetically gyrate my hips ala Ahmet Zappa, exaggeratedly shaking my ass with as much lewdness as I can muster (which is quite a lot, actually). Now we're really having fun and soon we're doing the "fish bubble shimmy", as I call it (you know the one) to Peter Murphy's impassioned singing. We were just having the time of our lives. I know Peter Murphy noticed us, cuz we were right smack in front of him practically, I had my gray tank-top with the old-school black BATMAN logo on it to honor "the bats flew from the belfry..." aka Bela Lugosi's Dead.
It must've been in the mid-to high 90s in that club, but that didn't stop us, nor did it seem to phase Peter and his band much. They took a break at one point but when they returned back onstage for the encores, Peter had changed up his shirt to a long-sleeve! The sweat drip-drip-dripped steadily off his nose while he tweaked on various synth instruments.
I didn't stick around for autographs or anything like that, just had to escape out into the crisp nighttime air and cool off a bit.
That was my fourth Peter Murphy show and it was excellent.
I'M SORRY I DID NOT JOT DOWN THE SETLIST. HERE IS THE 'AVERAGE SETLIST' FOR THE MR. MOONLIGHT TOUR, TO GIVE YOU AN IDEA.
That's the only pic I bothered to take at the recent PETER MURPHY show a couple weeks ago here in Salt Lake City, July 17, at our small local dive bar THE URBAN LOUNGE.
Before Peter Murphy took the stage, I want to mention that the excellent band OURS currently out of LA opened for him. I was lucky enough to catch them live the last time Peter Murphy toured through Salt Lake City, and once again they delivered a pounding, mesmerizing new wave industrial alternative set with their lead singer Jimmy Gnecco fronting with a dark charisma that I personally have found missing from today's scene. OURS is a refreshing alternative band for the Twenty-Teens. Now that I've seen them perform twice, I'm bummed that I missed them headline here last year (I think it was). If OURS ever tours through here again, I will be sure to attend that show and support them. I intend to get their albums, most likely starting backward with their Rick Rubin produced 2008 album Dancing For The Death Of An Imaginary Enemy.
Finally, Peter Murphy and his band padded out onto the stage. They delivered the BAUHAUS hits alright. 90% of the setlist was comprised of old Bauhaus tunes (as promised). Come to think of it, I don't recall having heard a single song off their excellent swan song GO AWAY WHITE, which is either too bad or else I somehow missed it during all the excitement. Peter Murphy's band is a pretty tight-knit group of goths. His guitarist resembled Trent Reznor. Drummer looked like a cross between Josh Brolin and Dax Riggs. Bass player looked eerily like my friend and Freezine veteran Vincent Daemon. That set the stage visually for the perfect 80s Goth night out. Swear to god the place was packed to the gills with dead fish. Yes it was Sold Out. . . to zombies.
I really wanted to push through the packed crowd in front of the stage—but everyone is standing room only with drinks in their hands—and I'm not about to be "that guy" who spills someone's drink, I'm there to have a good time and not be an A-hole. So we wait it out for awhile but the entire time no one up front is dancing or anything. Eventually I say "fukkit" and just, you know, squeeeeeze thru the dumbfounded dipshits until I get practically to the front center (being led the way by my beautiful friend whose good female looks grant her more of a pass than my sorry good for nothing ass I'll say that much). So I follow her as best I can, until I'm almost up there and some yahoo behind me shoves me forward (of course, which I like actually...that gets me to grinning) up into the front row peeps, whereupon this rankled chick comes at me with a cold look and a "don't be an asshole, man" and I just look at her and smile saying "I got shoved up here, sorry" and she dares to repeat her dumb line, "don't be an asshole" again, so I just ignore her.
My friend is right there beside me, and she obviously wants to dance, as I do. So we start doing our best, only this lost generation of "twenty-teens" or whatever the Hell you wanna call it doesn't really know what to do—are we trying to mosh—?—[NO]. It's called dancing, Google it. So of course they respond as if we're trying to start a moshpit and I'll tell you what. I have no problem with the notion of starting up a pit here, but honestly that is not why I came to see Peter Murphy. Also I am not that guy. Wrong show. So of course I allow myself to be shoved to and fro with a big smile on my face all the while, really enjoying the extra attention by peeved morons in the crowd. Soon they give up, and then I really start dancing in place—not shoving anyone—just doing the Twist with the manic intensity of Tom Jones, so my friend joins in and we're just having a blast. There's maybe three other people near us also dancing and that's it. The rest just stand there, annoyed. We are overjoyed. I begin to frenetically gyrate my hips ala Ahmet Zappa, exaggeratedly shaking my ass with as much lewdness as I can muster (which is quite a lot, actually). Now we're really having fun and soon we're doing the "fish bubble shimmy", as I call it (you know the one) to Peter Murphy's impassioned singing. We were just having the time of our lives. I know Peter Murphy noticed us, cuz we were right smack in front of him practically, I had my gray tank-top with the old-school black BATMAN logo on it to honor "the bats flew from the belfry..." aka Bela Lugosi's Dead.
It must've been in the mid-to high 90s in that club, but that didn't stop us, nor did it seem to phase Peter and his band much. They took a break at one point but when they returned back onstage for the encores, Peter had changed up his shirt to a long-sleeve! The sweat drip-drip-dripped steadily off his nose while he tweaked on various synth instruments.
I didn't stick around for autographs or anything like that, just had to escape out into the crisp nighttime air and cool off a bit.
That was my fourth Peter Murphy show and it was excellent.
I'M SORRY I DID NOT JOT DOWN THE SETLIST. HERE IS THE 'AVERAGE SETLIST' FOR THE MR. MOONLIGHT TOUR, TO GIVE YOU AN IDEA.
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Bauhaus song)Play Video
- (Dead Can Dance cover)Play Video
- Encore:
- (Bauhaus song)Play Video
- (T. Rex cover)Play Video
- (David Bowie cover)
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